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Suzani Excitement Emerges in Home Interiors

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What in the world is a Suzani?  It’s the Central Asian equivalent of grandma’s heirloom quilt: handmade, handstitched, and handed-down. Suzan means “needle” in Persian, so imagine embroidery, elaborate embroidery. A wonderful, intricate craft,  a Suzani represent the best type of Central Asian art. Embeded  in centuries of tradition, each artist  interpreted a fresh new twist to an earlier pattern.

 

 

Love these classic chairs covered in the rich colors and motifs of this ancient craft? You are not alone as consumers, designers and textile lovers discover this ancient tradition. You won’t want just one! These cloths, lavishly embroidered  cover not only beds and cribs, but also tables, horses, and walls.

Talented needlewomen have produced this brilliant folk art for centuries. And when the Iron Curtain lifted, there they were! Thousands of artful, dazzling, useful, and suddenly chic suzanis. The oldest ones we know of are from the 18th century. Their designs, however — those meandering grapevines and tulips — suggest motifs from ancient Greece and the Ottoman empire.

 Much like  embroidered versions of hand-loomed rugs they’re sometimes used as prayer mats. The motifs — the palmette, the tulip, the teardrop-shaped botah we associate with paisleys — are familiar from carpets, but instead of being made on looms, the stylized, finely stitched designs of suzanis are worked with a kind of small crochet hook.

From Apartment Therapy

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Share a Link Thursday-Visionary Weaver Defines Modern Textiles

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For over half a century, Jack Lenor Larsen has
held a preeminent position in this country as a
textile designer.

My fascination as a designer and appreciation as a textile lover is consummated with Larsen Textiles. They never fail to grab my attention and desire to share with clients who too love artistically rich fabrics.

The archive of the Jack Lenor Larsen textile company reveals time and again that the driving force behind this influential company has always been the principal that art need not be separated into high (or fine) art and low art (or craft).

The Larsen Design Studio creates  modern, artistic fabrics for interior use, yet their innovations with handwovens, batiks and fabrics in scale with modern architecture have changed the industry.

Artistic and technical explorations are the cornerstones that have kept the company on the front edge of the market for half a century.

Founded in 1952, Larsen’s first decade was a time of extraordinary growth and diversification. Initially known for their use of natural fibers and handwoven textiles, they soon learned to use power looms in ingenious ways to maintain the integrity of the design and meet the growing demand for their fabrics.

A Look at Larsen Textiles


The 1970s proved to be a decade of transition away from the boldness of the 50s and 60s to the subtle elegance of the 80s and 90s. After Larsen’s acquisition of Thaibok Fabrics in 1972, silk became an increasingly important aspect of their line. Larsen designers also explored the potential of extra-wide fabrics that could be used for seamless wall and window coverings.

Acquired by Cowtan and Tout in 1997, Larsen Textiles carries the Larsen tradition of technical innovation and design excellence into the 21st century. Casements continue to be an important part of the line, with an emphasis on the strength and elegance of linen and the possibilities of synthetic materials. There is a renewed interest in the design of wallcoverings to complement the fabric line.

For over half a century, Jack Lenor Larsen has held a preeminent position in this country as a textile designer. The“Larsen Look” was created, to a great extent, by the designer’s innovative experiments with sheer or reflective fabrics utilizing an understated palette of natural and neutral fibers: they were a perfect complement to the spare and restrained simplicity of modern architecture.

The hand and the eye of Jack Lenor Larsen are also intrinsic to all of his designs and his collections. “If we can learn to see with our hands and feel with our eyes as he does, we can more fully enjoy the creativity of the artist and the collector.” Jennifer Renzi http://nymag.com/homedesign/fall2007/39599/

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Share a Link Thursday-Collette Collins=Organic Elegance

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This share a link is a special friend and colleague, Collette Collins.  She exudes talent and passion for her craft and numerous national awards concur about her originality and artistry. Visiting her facility in SODO lifts your spirits and excites your imagination with possibilities to create original pieces of furniture. 

“Each of my pieces has a core, a soul. Every piece is connected to the environment around it, and there is a dialogue between the natural world and the hand-made object.” - Collette Collins

ADEX stands for Awards for Design Excellence and is the largest and most prestigious awards program for product design of furniture, fixtures and finishes marketed to the design trade.  

Both of Collette’s pieces below are ADEX Gold Winners 2008. On the left is the Paisley Rocking Chair and on the right a Standing Floor Lamp

 

 

 

 

In keeping with her commitment to environmental sustainability, Collette ensures that no scrap of material goes unused. She often uses salvaged materials in her work, recycles excess bits of wood or fabric from one piece to another, and almost always uses a plywood core to save the exotic materials for the exterior.

Collette describes her work as “American Bohemian” and is proud of her commitment to traditional woodworking methods.   There are no computerized tools in her studio; she relies on a combination of old-world craftsmanship and modern tools to create her designs.

 Collette brings extraordinary craftsmanship to her work: each piece stands alone as a unique piece of functional sculpture designed specifically to meet the needs of her clients. She works the wood in unusual ways, bending and adding texture with wire brushes, chip carving and band saws to add visual appeal and contrast.

Collette studied Fine Arts at Cabrillo College and San Francisco State University and spent many years as a set designer within the film industry. Her talent has been featured in more than 15 films, including “Sleepless in Seattle” and “The Vanishing.”   A practicing Buddhist, a discipline that provides inspiration and encourages patience, Collette believes spirituality plays an important role in her creativity.

6355 6th Ave South
Seattle, WA 98108

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Heard about Hable Construction?

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Named after their great-grandfather’s road construction business, Texan sisters Susan and Katharine Hable founded the NY textiles company Hable Construction in 1999. Katharine, a born saleswoman with professional experience working at Kate Spade and Polo Ralph Lauren; and Susan, an artist inspired by nature and the handmade aesthetic, decided a business partnership would be a harmonious marriage of the siblings’ talents.

Adhering closely to their original vision is the practice of keeping the designs hand-drawn by Susan, and reproduced by skilled artisans who treat their work as a careful craft, employing traditional screenprinting procedures in an old New England factory. Furthering this principle, the company partnered with a Hungarian women’s cooperative in 2001 to produce a line of wool-felt products utilizing a traditional hammer and chisel applique technique. Outside of the wool-felt production, all Hable products are proudly made in the U.S.  The colorful canvas and cotton/linen fabrics are printed by hand in an old New England factory.

Coasters

Coasters

espresso bead/chocolate checker coasters

The online store features such fun items as these coasters along with aprons, kids toys and accessories.  Check out the website www.hableconstruction.com for a store in your city or use the convenient online store.

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The Attraction of Bare Wood Furniture

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More organic pieces are being used with formal pieces. Designers combine a local artisan’s tree stumps and  use as end tables or stools, with nailhead-studded chairs.

Here’s the question to ask yourself? When it comes to furniture, are you a conformist? Then have fun at Ethan Allen. But if you want wood furniture that’s a little more unique, look for artful pieces made from reclaimed (read: recycled) wood.

The Benefits

·         Preserving endangered trees. 50% of the world’s forests are gone. Reclaimed wood furniture avoids using virgin wood from threatened tree species such as mahogany.

·         Less energy use. Most wood is shipped from thousands of miles away (example: some teak comes from 8,000 mi away in Philippines). Search for U.S. designers who typically source their wood locally.

·         Good news for nonconformists. Reclaimed wood pieces are one-of-a-kind, so you won’t see copycats anywhere.

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